1896-1899
 |
Joseph Medill hired architect Charles A.
Coolidge to design a Beaux-Arts style home with a white clapboard exterior
and an imposing classical portico for the front facade. The Beaux-Arts
style of architecture is characterized by symmetry and classical design.
The term Beaux-Arts comes from an architectural school in France, called
the Ecole Des Beaux Arts. Many American architects, including those in
the Coolidge firm, studied at this school in France.
Medill’s house cost $15,000 to build in
1896. Coolidge’s other important designs in Chicago include the Art
Institute of Chicago and the former Chicago Public Library, which is now
the Chicago Cultural Center. Medill called his country retreat Red Oaks
Farm as a tribute to the 300 year-old oak trees that still grow on the
estate.
Joseph Medill may have used the central
room on the second floor as his bedroom. Katherine Medill McCormick,
Robert Sanderson McCormick and other family members may have used the
other bedrooms on the second floor. Robert Rutherford McCormick and his
older brother Medill used the end rooms in the attic as their bedrooms.
The Victorian-era kitchen and the servants’ quarters were located in the
basement.
During this era, the house was heated
with coal burned on grates inside the fireplaces. Lighting
consisted of candles, oil and kerosene lamps. Summer heat was vented
through a ceiling window in the attic, and the second floor rooms had
louvered doors to allow breezes to waft through and to afford privacy for
those inside the bedrooms. Because of these conditions, the house was
only occupied during the summer and fall seasons.
Up until the 1935 expansion, this
Medill-era home measured 72 feet 8 inches across from east to west and 35
feet 6 inches wide from north to south. |
| 1899-1920 |
When Joseph Medill died in
1899, his daughter and son-in-law, Katherine Medill McCormick and Robert
Sanderson McCormick, occasionally used the house as their country
retreat. Katherine and Robert Sanderson McCormick may have used the
central room on the second floor as their bedroom. Guests and other
family members occupied other second floor bedrooms. Servants’ rooms were
in the basement. The house was electrified in
1909, so the wall scones and lamps used electric bulbs. The house was
still heated with coal, but instead of using grates in the fireplaces, the
McCormicks installed two coal stokers in the basement. On the east
wall of the interior of the west porch, one can see the small door through
which the coal was dumped into the basement. |
| 1920-1935 |
In 1920, Katherine’s son
and daughter-in-law, Robert Rutherford McCormick and Amy de Houlle Irwin
Adams McCormick (1872-1939) began to use the house as their country
retreat. Robert Rutherford McCormick took over the second floor central
room as his bedroom, and his wife Amy used the series of room on the east
end of the second floor as her bedroom suite. The two bedrooms on the
west side of the second floor became guest rooms. Servants’ quarters
remained in the basement. McCormick began
construction of a swimming pool, just outside the east portico, in
August of 1919. The pool cost $3,500 to construct. A telephone was added
to the home in 1928. The McCormicks used the Illinois Bell Company to
provide them with their telephone service. |
| 1935-1955 |
In the early 1930s,
McCormick hired architect Willis Irvin to expand and re-model his
grandfather’s home into a stately mansion that would be reminiscent of the
McCormick’s 18th century plantation home in Virginia. Colonel
McCormick changed the name of the estate from Red Oaks Farms to Cantigny
Farm to commemorate the small French village he helped to free from German
occupation during World War One. By 1938, Willis
Irvin completed the additions of an east and a west wing, which flanked
Coolidge’s central section of the house. The west wall of the dining
room represents where the Coolidge-design ends and the Irwin expansion
begins. The east wall of the drawing room represents where the
Coolidge-design ends and the Irwin expansion begins. Steel pocket fire
doors in the basement as well as on the first floor mark the line between
the Coolidge design and the Irwin expansion.
The new dimensions of the expanded house measured 195
feet, 6 inches across from east to west and 35 feet, 6 inches wide from
north to south. The east wing measured 60 feet from north to south, and
the west wing measured 63 feet from north to south.
In 1936, the McCormicks changed their
heating system from the coal stokers to an oil burner in the
basement. The oil burners heated hot water that circulated through
radiators throughout the home. Some standing radiators are still
visible on the second floor, but many of the other rooms have radiators
built into the walls just below the window sills. Air conditioning
was added to the home in the in 1938. |
| Interior of
1935 West Wing |
The basement level of the west wing
became a modern kitchen wing with a servants’ sitting room, servants’
dining room and a servants’ porch. The first floor of the west wing
became the private bedroom areas for the McCormicks. Despite the fact
that Irwin built a bedroom suite for Amy on the first floor of the west
wing, Amy McCormick decided to keep her bedroom on the second floor. When
Robert McCormick remarried in 1944, the second Mrs. McCormick (Maryland)
used rooms on the first floor of the west wing as her bedroom suite. The
third floor of the west wing became the new bedrooms and bathrooms for the
servants. |
| 1935-1955
Central Section: Second Floor |
Until her death in 1939,
the first Mrs. McCormick continued to use the east rooms on the second
floor as her bedroom suite. From 1940 to1944, all of the bedrooms on the
second floor became guest bedrooms. From 1944 to 1955, the second Mrs.
McCormick’s daughters used the bedrooms on the west end as their own
bedrooms, and the middle and east rooms continued to function as guest
bedrooms. |
Interior of
1937
East Wing |
The
basement level of the Irwin expanded east wing became a private movie
theatre. The first and second floor of the east wing became a two-story
library with a hidden bar. McCormick called his library Freedom Hall. |
| Exterior of
Irwin's design |
When the wings were
finished, Medill’s white clapboard house was covered with red Georgian
brick. McCormick then had the bricks and the whole exterior painted white
to more closely resemble the White House in Washington, D.C. When
McCormick stepped back, however, he decided that he did not like the white
color. So he had the house sand-blasted to remove the white paint. The
resulting color of the exterior brick is now a mixture of red and white:
pink. |
| Exterior of
East Wing |
To adorn the exterior of
Freedom Hall, McCormick had the names of Washington, Jefferson, Clark and
Mason carved into limestone blocks near the cornice line. McCormick felt
that these men had a profound impact on the development of the United
States and the freedoms he held most dear to his heart: freedom of speech
and freedom of the press. George Washington was the first
president of the United States. Thomas Jefferson drafted the
Declaration of Independence. George Rogers Clark
was the Revolutionary War hero that freed this
area of Illinois from British occupation. (Please keep in mind that George
Rogers Clarke spelled his name with an “e,” even though McCormick did
not.) George Mason drafted the Virginia Bill of Rights, which
became the model for the United States Constitution. |
| Interior
Flooring Materials |
Most of the floors in the
mansion are made of oak. An exception to this is the floor in the library
or Freedom Hall, which is made of veneered teak. Most of the floors on
the second floor are made of pine. Also the floors in the west wing
stairwell, dish pantry, kitchen and food pantry are made of rubber tile.
The floors of the west wing bathrooms are made of ceramic tile. |
| Interior
Ceiling Materials |
The
ceilings in the west wing stairwell and kitchen wing are made of acoustic
tiles that absorb excessive noise. The rest of the ceilings in the mansion
are made of plaster. |
| Interior
Wall Materials |
At the
cornice line (at the top of the wall, where the wall meets the ceiling)
there is plaster molding. Most of the walls above the chair rail are made
of plaster that is covered with flat paint, canvas or wallpaper. Other
sections of the walls, such as the wainscoting below the chair rail are
made of pine. The walls in the library are made of Brazilian butternut. |
| Interior
Door and Window Materials |
All of the
doors and windows in the mansion are made of white pine. |