McCormick Museum Architectural History 1st Floor 2nd Floor Basement Attic

Robert R. McCormick Museum
Architectural History

 

1896-1899


Joseph Medill hired architect Charles A. Coolidge to design a Beaux-Arts style home with a white clapboard exterior and an imposing classical portico for the front facade. The Beaux-Arts style of architecture is characterized by symmetry and classical design. The term Beaux-Arts comes from an architectural school in France, called the Ecole Des Beaux Arts.  Many American architects, including those in the Coolidge firm, studied at this school in France.

Medill’s house cost $15,000 to build in 1896.  Coolidge’s other important designs in Chicago include the Art Institute of Chicago and the former Chicago Public Library, which is now the Chicago Cultural Center. Medill called his country retreat Red Oaks Farm as a tribute to the 300 year-old oak trees that still grow on the estate.

Joseph Medill may have used the central room on the second floor as his bedroom. Katherine Medill McCormick, Robert Sanderson McCormick and other family members may have used the other bedrooms on the second floor.   Robert Rutherford McCormick and his older brother Medill used the end rooms in the attic as their bedrooms.  The Victorian-era kitchen and the servants’ quarters were located in the basement.

During this era, the house was heated with coal burned on grates inside the fireplaces.  Lighting consisted of candles, oil and kerosene lamps.  Summer heat was vented through a ceiling window in the attic, and the second floor rooms had louvered doors to allow breezes to waft through and to afford privacy for those inside the bedrooms.  Because of these conditions, the house was only occupied during the summer and fall seasons.

Up until the 1935 expansion, this Medill-era home measured 72 feet 8 inches across from east to west and 35 feet 6 inches wide from north to south.

1899-1920 When Joseph Medill died in 1899, his daughter and son-in-law, Katherine Medill McCormick and Robert Sanderson McCormick, occasionally used the house as their country retreat.  Katherine and Robert Sanderson McCormick may have used the central room on the second floor as their bedroom.  Guests and other family members occupied other second floor bedrooms. Servants’ rooms were in the basement.

The house was electrified in 1909, so the wall scones and lamps used electric bulbs.  The house was still heated with coal, but instead of using grates in the fireplaces, the McCormicks installed two coal stokers in the basement.  On the east wall of the interior of the west porch, one can see the small door through which the coal was dumped into the basement.

1920-1935 In 1920, Katherine’s son and daughter-in-law, Robert Rutherford McCormick and Amy de Houlle Irwin Adams McCormick (1872-1939) began to use the house as their country retreat.  Robert Rutherford McCormick took over the second floor central room as his bedroom, and his wife Amy used the series of room on the east end of the second floor as her bedroom suite.  The two bedrooms on the west side of the second floor became guest rooms.  Servants’ quarters remained in the basement.

McCormick began construction of a swimming pool, just outside the east portico, in August of 1919.  The pool cost $3,500 to construct.  A telephone was added to the home in 1928.  The McCormicks used the Illinois Bell Company to provide them with their telephone service.

1935-1955 In the early 1930s, McCormick hired architect Willis Irvin to expand and re-model his grandfather’s home into a stately mansion that would be reminiscent of the McCormick’s 18th century plantation home in Virginia. Colonel McCormick changed the name of the estate from Red Oaks Farms to Cantigny Farm to commemorate the small French village he helped to free from German occupation during World War One.

By 1938, Willis Irvin completed the additions of an east and a west wing, which flanked Coolidge’s central section of the house.   The west wall of the dining room represents where the Coolidge-design ends and the Irwin expansion begins.  The east wall of the drawing room represents where the Coolidge-design ends and the Irwin expansion begins.  Steel pocket fire doors in the basement as well as on the first floor mark the line between the Coolidge design and the Irwin expansion.

The new dimensions of the expanded house measured 195 feet, 6 inches across from east to west and 35 feet, 6 inches wide from north to south.   The east wing measured 60 feet from north to south, and the west wing measured 63 feet from north to south.

In 1936, the McCormicks changed their heating system from the coal stokers to an oil burner in the basement.  The oil burners heated hot water that circulated through radiators throughout the home.  Some standing radiators are still visible on the second floor, but many of the other rooms have radiators built into the walls just below the window sills.  Air conditioning was added to the home in the in 1938.

Interior of 1935 West Wing

The basement level of the west wing became a modern kitchen wing with a servants’ sitting room, servants’ dining room and a servants’ porch.  The first floor of the west wing became the private bedroom areas for the McCormicks.  Despite the fact that Irwin built a bedroom suite for Amy on the first floor of the west wing, Amy McCormick decided to keep her bedroom on the second floor.  When Robert McCormick remarried in 1944, the second Mrs. McCormick (Maryland) used rooms on the first floor of the west wing as her bedroom suite.   The third floor of the west wing became the new bedrooms and bathrooms for the servants.

1935-1955 Central Section: Second Floor Until her death in 1939, the first Mrs. McCormick continued to use the east rooms on the second floor as her bedroom suite.  From 1940 to1944, all of the bedrooms on the second floor became guest bedrooms.  From 1944 to 1955, the second Mrs. McCormick’s daughters used the bedrooms on the west end as their own bedrooms, and the middle and east rooms continued to function as guest bedrooms.
Interior of 1937
East Wing
The basement level of the Irwin expanded east wing became a private movie theatre.  The first and second floor of the east wing became a two-story  library with a hidden bar.   McCormick called his library Freedom Hall.
Exterior of Irwin's design When the wings were finished, Medill’s white clapboard  house was covered with red Georgian brick.  McCormick then had the bricks and the whole exterior painted white to more closely resemble the White House in Washington, D.C.  When McCormick stepped back, however, he decided that he did not like the white color. So he had the house sand-blasted to remove the white paint.  The resulting color of the exterior brick is now a mixture of red and white: pink.
Exterior of East Wing To adorn the exterior of Freedom Hall, McCormick had the names of Washington, Jefferson, Clark and Mason carved into limestone blocks near the cornice line. McCormick felt that these men had a profound impact on the development of the United States and the freedoms he held most dear to his heart: freedom of speech and freedom of the press.   George Washington was the first president of the United States. Thomas Jefferson drafted the Declaration of Independence. George Rogers Clark was the Revolutionary War hero that freed this area of Illinois from British occupation. (Please keep in mind that George Rogers Clarke spelled his name with an “e,” even though McCormick did not.) George Mason drafted the Virginia Bill of Rights, which became the model for the United States Constitution.
Interior Flooring Materials Most of the floors in the mansion are made of oak.  An exception to this is the floor in the library or Freedom Hall, which is made of veneered teak.  Most of the floors on the second floor are made of pine.  Also the floors in the west wing stairwell, dish pantry, kitchen and food pantry are made of rubber tile.  The floors of the west wing bathrooms are made of ceramic tile.
Interior Ceiling Materials The ceilings in the west wing stairwell and kitchen wing are made of acoustic tiles that absorb excessive noise. The rest of the ceilings in the mansion are made of plaster.
Interior Wall Materials At the cornice line (at the top of the wall, where the wall meets the ceiling) there is plaster molding. Most of the walls above the chair rail are made of plaster that is covered with flat paint, canvas or wallpaper.  Other sections of the walls, such as the wainscoting below the chair rail are made of pine.  The walls in the library are made of Brazilian butternut.
Interior Door and Window Materials All of the doors and windows in the mansion are made of white pine.

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